In the high country in June, it was very cold but the sun shone. Up high on the hillside, gazing out across the valley, the colours sang. But so too do the textures; the textures of hillsides and shadows, of dead trees and living. Sometimes these are textures best caught in black and white, as No Fixed Address has in these images.
At the Box Hill camera market earlier this year we picked up a few random films, including a roll of Kodak Gold that expired in March 1989. Standard, run-of-the-mill film back then, but twenty years on it produces something quite different.
The risk of expired or cheap film is that sometimes there’s decent shots messed up by too much grain or strange colours. But then sometimes there’s a few that turn out alright…
This one was taken in South Fremantle in July, and I like the graininess in the colours of the sky:
And there’s this one, looking up the bay towards Melbourne from Brighton. I know, lots of ocean photos… They are hard to resist.
And then for something quite different, no water in sight, there’s this one shot by No Fixed Address on the same roll of film: