Two walks at Black Mountain

Two walks at Black Mountain*; two themes. One, a 360˚ view of the “bush capital”. Two, the multitude of shapes and textures among trees.

One: 360˚

Loop around the summit of Black Mountain and the city, suburbs, paddocks and mountains are revealed by turns through the trees. Many of the trees are fuzzy with new growth, emerged since they were thoroughly defoliated in the January hailstorm.

On the first day,  the lake, glimpsed in patches through the trees, is sunlit and reflective; the southern suburbs an intricate pattern of deciduous colour and eucalypt green. A few days later, on my second walk beneath patchy clouds and wind, the lake is dark, navy and rippling.

One: the lake reflective through the trees.

Walking clockwise, there is the brilliant green of the Arboretum and Mt Painter after the autumn rains. The unexpected high rise of Belconnen, half-hiding a silver patch of Lake Ginninderra. Suburbs and bush alternating across the northern suburbs.

Mt Majura to the north east; our place half way between. Then the surprising thickness, heaviness, of Civic with ANU in the foreground: I hadn’t quite realised the denseness of Canberra’s concrete centre. Continue reading

Mount Majura impressions

Every day I see Mount Majura from the balcony. Yesterday, I stood on Mount Majura and looked at our balcony. Majura is one of Canberra’s mountains – 888m above sea level; about 300m above Canberra itself.

Here’s some impressions from my walk up Mount Majura.

Hackett Gate and mini-mountains

I set out from Hackett Gate, which sounds rather exciting and adventurous. Casuarina Trail cuts up across the wide track that runs under the powerlines then narrows, climbs and zig-zags up the side of the mountain. I’m glad it doesn’t have a dramatic name like Mount Ainslie’s Kokoda Trail; I already feel disingenuous calling this a mountain if I can walk up in 45 minutes or so.

Quiet in the woodlands

It was windy when I left home, but all is quiet in the lee of the mountain. The south ridge is open box-gum woodland, apparently cleared at some stage (unlike neighbouring Mount Ainslie). Living in a built-up area in Canberra’s north, it feels like I haven’t experienced this much quiet in weeks. Even the birds are silent; including the two crimson rosellas close to the trail on my way up, feeding on grass seeds, bright against the dim green of the bush.

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The other beginning – and The Sea Around Us (1951)

Originally written 27 November.

Last week I finished reading The Sea Around Us by Rachel Carson. This week I’m reading The End of Nature by Bill McKibben. Both are outdated, published in 1951 and 1989 respectively. In terms of the facts, it matters. In terms of how these works make me feel, time makes no difference.

The Sea Around Us is a beautiful piece of writing, though perhaps it could be considered old-fashioned in style. I write about the ocean all the time and so I am susceptible to reading about it. But Rachel Carson’s writing is unique. I open it now and instantly I can imagine the richness and fullness of the ocean, in terms of the images that Rachel creates. I can see the currents curving around the edge of continents, the seabed rising abruptly into the Atlantic ridge, the weather systems of Australia’s eastern seaboard responding to the air over the Pacific.

Rachel wrote about geological time – long time spans where mountains are built and eroded, where islands come and go. Bill McKibben on the other hand stressed that not everything takes a long time to change: he was writing about the global climate change. In 1989 what he wrote would have been periphery to most people’s concerns. Today it occupies politics around the world. So much has changed.

And yet not everything has changed. Bill argues that nature is dead, because no place on earth is unaffected by humans, as a result of the changes to the atmosphere that our societies have caused. But I don’t think he’s right. I think we’ll cling on to a sense of nature, and maybe we’ll change our understanding of it in order to keep up with a world that is changing. Nature will – or has – become something that clings on to its ‘naturalness’ in the face of human impacts reaching everywhere. But it’s still there. It holds on, like a tree growing crooked on a windy cliff, or a lonely tuft of grass sprouting half way up a sheer cliff. It will be changed by what we do, but it will not die, not as long as this planet continues its slow revolution around the sun.

For me, as I begin to experiment with new forms of writing, The Sea Around Us plays on my mind. It is an example of so much that is important to me: the ocean, the land, the environment, and of course good writing. It is imbued, by its existence and its context, with the politics of environment and of the place of women in society. It is written with passion, creativity and scientific accuracy; it reminds me that the humanities and the sciences belong together, not in opposition as many thinkers would lead us to believe. Bound in the 59 year old cover of this book is a story about the earth. It is majestic and humbling, and full of a sense of wonder. I hope that I never forget it.